Romano-British Cavalry Ride Out To Their Doom!

It's been two months since my last completed unit, but I'm back with some major progress. Eight Romano-British cavalry from Footsore to bolster my forces.

They'll serve as Hearthguard for SAGA, Noble/Ordinary cavalry for Dux Bellorum and mounted Men of the North for Dux Britanniarum. The latter role inspired me to draw on the early medieval Welsh poem Y Gododdin by Aneirin for inspiration for the colour scheme of the riders and their horses.

These are the first cavalry I've painted since some Gary Morley Silver Helms way back in 1998 - 21 years! :D

Back to history. There is a wealth of guidance for painters in the text of Y Gododdin which I've compiled below in case anyone is interested.

Y Gododdin

Costume Notes
Numbers in parentheses refer to stanza followed by line.

Broad lightweight shield (1:5)
Gold-bordered garments (1:8 )
Betorqued (many)
Mail-coat (3:7)
Lime-white shields (11:6)
Blaen took delight in gold and purple (16:6)
Gold-fretted shield (29:3)
Swift steeds and dark-blue war-gear and shields (33:2)
One who wore purple (67:4)
Ice-bright shields (71:13)

Horses

Roan (26:8 )
A trim long-legged grey (50:4)
Darker (brown) his saddle (50:6)
Grey steeds (58:11)
Red steeds (61:7)
White horses (74:5)
Dapple-grey steed (77:5)

What I finally settled on was a mashup of qualities drawn from the poem and Late Roman equipment. The "lime-white shields" were a must.

I had to make sure they didn't look too bright, flat or bland. I used a base coat of Foundry Quagmire B (a brown grey) and several thin coats of Canvas C (an off white). I tried to approach them as if I was painting lime onto leather-faced shields.

To give them more depth I weathered them with a drybrush of Quagmire B and Rawhide A. Tried a couple of shield cuts but my brush hand wasn't steady enough to get really thin straight lines done so well.

I also incorporated some "gold-bordered garments".

To give them some elite flavour I pimped up their spears with the stripes that seem to be a Late Roman thing (anyone know the source of these?).

Part of the painting challenge here was to produce sufficient variety in the colour schemes so that multiples of the same model looked different. Among the eight figures there are only six different riders and three different horses. Luckily, the notes from the poem really gave me an excuse to crack open many of the pots in Foundry's Horse Paint set.

I'd only painted dapple greys and whites before this so it was a nice challenge to attempt blacks, chestnuts, bays and a roan. The roan is the toughest to pull off since they have equal amounts of interspersed white and coloured hairs, something which you can only impart impressionistically in paint. While blacks aren't mentioned specifically in Y Gododdin, other Welsh literature mentions Arthur riding a black mare so I wanted to get some practice in before I painted the dux bellorum.

EDIT: I found that different painting techniques worked better for different horse colours, from normal layering (for the bays and lighter browns) to drybrushing (for the blacks) to zenithal for the greys.

Next up on the workbench is Arthur himself with the costume colours drawn from a mix of Bernard Cornwell's trilogy and the Mabinogion. The latter provides some names of Arthur's arms. I'm still trying to figure out what motif to place on his shield which was called Wynebgwrthucher (face of the evening). Perhaps a Celtic moon or star.